The figurine has good balance. The headdress is nearly two times has big as the face, and the headdress surrounds the whole face, nearly portraying like a border for it.
Not only did Tutankhamun attempt to erase his father from Egyptian history, but he shifted Egyptian art back to the old ways so quickly and harshly that many objects from the Amarna period were lost or destroyed. The sculptor included Akhenaten and his entire family, which consisted of his wife Queen Nefertiti and their two children.
This makes any individual desire to gaze right back at it. In this figurine of Akhenaten, the thighs are broad, the hips are slender, the face is elongated and slender, the lips are large, the arms and appendages are slender and long, and there are breasts.
Even without the presence of other sculptures or figures to complement that of Akhenaten, it is clear that he is doing an offering and the lack of facial expression somehow even emphasizes how serious the ritual must be. The City of Akhenaten and Nefertiti: The purpose of the large head may be to emphasize who the subject is.
Another way is that the sculptor used lines to emphasize that the sun was shining down on Akhenaten and his family. The America University in Cairo Press, The sculpture tells the people, whoever they are, whatever time they may belong, that this pharaoh had been a pharaoh close to his god, and that in his time he led his people in worshipping his god.
However, with this art piece I believe that it gives further emphasis to illuminated object above them shining down. Relief portrait of Akhenaten in the typical Amarna period style.
In almost every known depiction of Akhenaten, there is a solar disk shown above him, a representation of the sun god Aten.
And though it has been repeated several times in this paper that the face has no expression, there seems to be a hidden smile that can be seen through the lines on both sides of the lips to the cheeks of Akhenaten.
Pharaohs were always depicted clothed, though the clothes may no cover the whole body.
In the image at right, his features are softer, rounder, and plumper than in earlier representations. Again, this assists to convey aim to the odd characteristics utilized in the statue Velikovsky, The portrayal of his body was feminine in nature, making it so that he looked quite androgynous—both masculine and feminine.
Pros of the Technique The head is larger than normal proportion. The advantages of polymer when compared to concrete, cast stone, and cement are that it is far less fragile and much more resistant. Another noticeable thing about Egyptian is the large and plum head usually round. It does not occupy too much space since there is no much motion and the arms are tucked close to the body.
After his death, traditional religious practice was gradually restored, and when some dozen years later rulers without clear rights of succession from the Eighteenth Dynasty founded a new dynasty, they discredited Akhenaten and his immediate successors, referring to Akhenaten himself as "the enemy" in archival records.
During that time, sculptures of pharaohs were really huge, unlike the small figures of women children and other citizens. Always the standard royal headdress and false beard were depicted, and the posture appeared to be rigid and immovable—as though the pharaoh himself was immovable from the throne.
His artists attempted to focus on creating a more genuine vision of the pharaoh, breaking away from the traditional stationary depictions to show movement and emotion see Figure 3 for comparison.
Pros of the Material The statue is made of granite.
Reference How to cite this page Choose cite format: Family The family motif in Amarna is one of the most common. In fact, he gave more time to service that political matters, which eventually caused his downfall. The statue is very unlikely for a pharaoh, because pharaohs are usually depicted with divinity, ad hence, are to be worshipped.
This can be viewed as expressing protection for the children by having the sun, Nefertiti, and Akhenaten placed around them in this manner. Cons of the Material One problem with limestone is that it does not have the strength of marble. The majesty in the figures of pharaohs is missing.
The sculpture of Akhenaten has the usual characteristics of Egyptian sculpture. The youthful appearance can be attributed to the plumpness of the face and the light color of the material.
Anatomically the figure has an awkward large head that is not proportional to the short and rather stout body.Akhenaten Statue Analysis Introduction Akhenaten was the first pharaoh to insert the notion of monotheism, the worshipping of only one god, as are against to polytheism, the worshipping of.
Akhenaten The Sculpture of This sculpture, was found at the Temple of Karnak around It was scructured to look like the Pharaoh of Egypt's 18th Dynasty, Akhenaten.
He was originally named Amenhotep IV, but after getting the throne after his father, Amenhotep III, he changed his name to Akhenaten, meaning, "Aten is satisfied".
The sculpture of Akhenaten has the usual characteristics of Egyptian sculpture. Anatomically the figure has an awkward large head that is not proportional to the short and rather stout body. Aside from the large frame of the head, there is also a headdress as big as the head that makes the head look a lot bigger and the body shorter.
(Picture from Akhenaten: The Heretic King, by Dr. Donald Redford) This statue from Akhenaten's temple at Karnak is the three-dimensional equivalent of the relief above.
Previous to Akhenaten's rise to the throne, Egyptian art was stagnant, focused heavily on permanence both of the object and of the subject (most pertinently, the pharaoh) itself.
Relief portrait of Akhenaten in the typical Amarna period style. Oct 12, · Formal Anaylsis of Akhenaten and his family's sunken relief art piece Formal Analysis of Akhenaten and his Family Sunken Relief Sculpture The choice of color used in this art piece goes very well with what is being expressed here.Download